Lufthansa's 100th founding anniversary also represents an extraordinary brand history. With a new campaign, Lufthansa invites you on a visual journey through a century of aviation. The campaign translates 100 years of brand history into a modern visual world and brings this special past to life on a large scale. The historical motifs were further developed by the Serviceplan agency.

Since the first flight of the first Lufthansa aircraft on April 6, 1926, the name has stood for pioneering spirit, innovation, and connecting people worldwide. To mark this special anniversary, the new campaign...

More edge, more attitude, more sensitivity for the imperfect: WILDFOX RUNNING now represents Marta Giunipero – an illustrator who doesn’t construct visual worlds, but reveals them.

Trained in Italy (IED Turin, Illustration & Animation), Marta has been working across editorial, publishing and visual communication since 2016 – and that’s exactly where things get interesting: her work feels raw, fragmented, multilayered.

Marta collects. Things, moments, visual fragments. What remains in others’ sketchbooks becomes a final image in her hands. Her technique: a deliberately broken mix of...

Luca Schenardi illustrated the cover of the album ZUZAX by John Dwyer's synth-pop solo project, Damaged Bug. The artwork features a stylized illustration of a convertible with a cheerful skeleton in the driver's seat.

Damaged Bug is the long-term solo project of John Dwyer (Osees), comprised of dozens of previously unfinished songs written over several years.

John Dwyer is an extremely prolific American musician, composer, and label owner, best known as the driving force behind the psychedelic rock band Osees (also known as Thee Oh Sees, Oh Sees, etc.). His new album will be released on...

ITA Airways has unveiled a special livery on one of its Airbus A320 aircraft (registration EI-DSY), celebrating its role as official airline sponsor of the Olympic and Paralympic Winter Games Milano Cortina 2026. The artwork was created by Italian illustrator Emiliano Ponzi, who seamlessly integrates the Olympic branding into his distinctive, graphically refined visual language.

For this project, ITA’s signature blue transforms into an open sky. Mountains, snow, ice and suspended jumps evoke movement, energy and momentum. Ponzi captures the decisive Olympic moment – those few seconds that...

For the Bundesamt für Bevölkerungsschutz und Katastrophenhilfe (BBK), Golden Cosmos c/o 2AGENTEN have developed an illustrative campaign addressing the topic of crisis preparedness. Under the title “Preparing for Crises and Disasters', they translate a complex and socially relevant subject into an accessible and compelling visual language.

With their characteristic blend of graphic precision and narrative warmth, the duo succeeds in making prevention visually tangible - fact-based, emotionally relatable, and creatively on point.

For MARE Magazine, Mario Wagner c/o 2AGENTEN developed a powerful visual world positioned between research, nature and humanity. In his illustrations, molecular structures, algae, fish and laboratory scenes merge into layered collages that present science not as something abstract, but as atmospheric and tangible.

Based in Berlin, Wagner combines bold graphic shapes, strong color contrasts in violet, turquoise and orange, and clearly reduced figures into a distinctive visual language. Whether addressing dietary supplements, maritime resources or biochemical processes, the imagery moves...

For the Greenpeace investigation “Exposed: The Secret Network of the Super-Rich,” Tim Dinter c/o 2AGENTEN condenses months of investigative research into a striking illustration. In the foreground stands a traditional family-run shop - grounded, approachable, owned by the same family since 1920. Behind it, however, industrial smokestacks bearing corporate logos rise into the sky, black smoke billowing above.

With a clear visual language and a sharp contrast between idyllic storefront and heavy industry, Dinter makes visible what the research uncovers: behind the image of the Mittelstand...

For the Holiday Gift Collection 2025 by SUSANNE KAUFMANN, illustrator Joanna Gniady c/o 2AGENTEN created a playful packaging design that blends alpine nature motifs, graphic shapes and a modern festive aesthetic. The collection features thoughtfully curated skincare gift sets and care products that make for beautiful presents – or for a luxurious self-care ritual at home.

“I had the pleasure to illustrate this year’s limited Winter collection – inspired by Alpine nature, warm rituals and the brand’s beautiful philosophy of quiet luxury. Creating these illustrations was a true joy – from...

MOON & JUNE turned to the distinctive visual language of Joanna Gniady c/o 2AGENTEN for its latest packaging design. The illustrator developed a concept that captures the essence of the brand: moments of pause, shared laughter and small, beautiful rituals.

The Swiss brand MOON & JUNE was created for those who consciously take time for themselves – for slow evenings and moments of unhurried enjoyment. Ruby-red and lightly sparkling, the drink blends the complexity of blackcurrant, juniper, rosemary and clove – alcohol-free and without added sugar or preservatives. Gniady’s packaging design...

For the AMF Annual Report, Erica Jacobson c/o 2AGENTEN created a striking illustration concept that connects the organization’s key themes with a clear visuality. The illustrator is known for her reduced yet narrative style, which conveys complex topics in an accessible, light and visually memorable way – ideal for the communication framework of an annual report that must combine transparency, structure and emotional appeal.

In parallel to the AMF project, Erica also realized a series of colorful illustrations for ASTOR CHOCOLATE. The brand relies in its communication on visual warmth,...