“Epi 1959 is not a typical hotel. With only 10 rooms, it almost feels like one is being handed the keys to a friend’s villa. The cabanas are intimate, even imperfect, but reflect a 1960s elegance just as when Hubert de Givenchy rented a cabana in Pampelonne. Paradise.”
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
The Epi 1959 is not a typical hotel. With only 10 rooms you almost have the feeling of getting the keys to a friend's villa. The cabanas are intimate, even imperfect, but they reflect an elegance of the 1960s. The location on the Cote D'Azur near Ramatuelle is particularly beautiful. And John McEnroe dropped by for a relaxed tennismatch. Georg Roske captures all this in atmospheric photos and aerials, which the client shows for advertising and on his site.
Georg Roske photographed the social media campaign for Volkswagen AG in Lisbon for the VW Tiguan. The model Raquel Leonor Rocha was styled by Georg Rosie. Georg Roske did the location scouting and post production himself, with Luis Bompastor as his assistant.
Georg Roske photographed the social media campaign for Volkswagen AG in Lisbon for the VW Tiguan. The model Raquel Leonor Rocha was styled by Georg Rosie. Georg Roske did the location scouting and post production himself, with Luis Bompastor as his assistant.
Georg Roske photographed the social media campaign for Volkswagen AG in Lisbon for the VW Tiguan. The model Raquel Leonor Rocha was styled by Georg Rosie. Georg Roske did the location scouting and post production himself, with Luis Bompastor as his assistant.
Georg Roske photographed the social media campaign for Volkswagen AG in Lisbon for the VW Tiguan. The model Raquel Leonor Rocha was styled by Georg Rosie. Georg Roske did the location scouting and post production himself, with Luis Bompastor as his assistant.
Georg Roske photographed the social media campaign for Volkswagen AG in Lisbon for the VW Tiguan. The model Raquel Leonor Rocha was styled by Georg Rosie. Georg Roske did the location scouting and post production himself, with Luis Bompastor as his assistant.
Georg Roske photographed the social media campaign for Volkswagen AG in Lisbon for the VW Tiguan. The model Raquel Leonor Rocha was styled by Georg Rosie. Georg Roske did the location scouting and post production himself, with Luis Bompastor as his assistant.
Georg Roske photographed the social media campaign for Volkswagen AG in Lisbon for the VW Tiguan. The model Raquel Leonor Rocha was styled by Georg Rosie. Georg Roske did the location scouting and post production himself, with Luis Bompastor as his assistant.
Georg Roske photographed the social media campaign for Volkswagen AG in Lisbon for the VW Tiguan. The model Raquel Leonor Rocha was styled by Georg Rosie. Georg Roske did the location scouting and post production himself, with Luis Bompastor as his assistant.
Georg photographed the catalogue cover for the Swiss company Pfister. He also took portraits of models wearing the current collection of Pfister fashion and workwear. The agency taking care of the production was Vasata Schröder with their Art Director Patrik Zorkovic who also took care of the Set Design.
Georg photographed the catalogue cover for the Swiss company Pfister. He also took portraits of models wearing the current collection of Pfister fashion and workwear. The agency taking care of the production was Vasata Schröder with their Art Director Patrik Zorkovic who also took care of the Set Design.
Georg photographed the catalogue cover for the Swiss company Pfister. He also took portraits of models wearing the current collection of Pfister fashion and workwear. The agency taking care of the production was Vasata Schröder with their Art Director Patrik Zorkovic who also took care of the Set Design.
Georg photographed the catalogue cover for the Swiss company Pfister. He also took portraits of models wearing the current collection of Pfister fashion and workwear. The agency taking care of the production was Vasata Schröder with their Art Director Patrik Zorkovic who also took care of the Set Design.
Georg photographed the catalogue cover for the Swiss company Pfister. He also took portraits of models wearing the current collection of Pfister fashion and workwear. The agency taking care of the production was Vasata Schröder with their Art Director Patrik Zorkovic who also took care of the Set Design.
Georg photographed the catalogue cover for the Swiss company Pfister. He also took portraits of models wearing the current collection of Pfister fashion and workwear. The agency taking care of the production was Vasata Schröder with their Art Director Patrik Zorkovic who also took care of the Set Design.
Georg Roske photographed for Thomas Cook the new opened Boutiquehotel Casa Cook Ibiza located in Cala Gracia.
Georg Roske photographed for Thomas Cook the new opened Boutiquehotel Casa Cook Ibiza located in Cala Gracia.
Georg Roske photographed for Thomas Cook the new opened Boutiquehotel Casa Cook Ibiza located in Cala Gracia.
Georg Roske photographed for Thomas Cook the new opened Boutiquehotel Casa Cook Ibiza located in Cala Gracia.
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