I collaborated with digital artist Chantal Caduff on this project for Spectr Magazine. I have huge archives of landscapes that I’ve shot on various work and personal trips over the years, and this was an amazing opportunity to use them for a new project. Chantal and I selected locations I had shot in places as varied as Tokyo, Hawaii, London, Switzerland and Iceland. I photographed models in studio and we integrated them into 3D backgrounds Chantal created using these landscapes.
I collaborated with digital artist Chantal Caduff on this project for Spectr Magazine. I have huge archives of landscapes that I’ve shot on various work and personal trips over the years, and this was an amazing opportunity to use them for a new project. Chantal and I selected locations I had shot in places as varied as Tokyo, Hawaii, London, Switzerland and Iceland. I photographed models in studio and we integrated them into 3D backgrounds Chantal created using these landscapes.
I collaborated with digital artist Chantal Caduff on this project for Spectr Magazine. I have huge archives of landscapes that I’ve shot on various work and personal trips over the years, and this was an amazing opportunity to use them for a new project. Chantal and I selected locations I had shot in places as varied as Tokyo, Hawaii, London, Switzerland and Iceland. I photographed models in studio and we integrated them into 3D backgrounds Chantal created using these landscapes.
I collaborated with digital artist Chantal Caduff on this project for Spectr Magazine. I have huge archives of landscapes that I’ve shot on various work and personal trips over the years, and this was an amazing opportunity to use them for a new project. Chantal and I selected locations I had shot in places as varied as Tokyo, Hawaii, London, Switzerland and Iceland. I photographed models in studio and we integrated them into 3D backgrounds Chantal created using these landscapes.
I collaborated with digital artist Chantal Caduff on this project for Spectr Magazine. I have huge archives of landscapes that I’ve shot on various work and personal trips over the years, and this was an amazing opportunity to use them for a new project. Chantal and I selected locations I had shot in places as varied as Tokyo, Hawaii, London, Switzerland and Iceland. I photographed models in studio and we integrated them into 3D backgrounds Chantal created using these landscapes.
I collaborated with digital artist Chantal Caduff on this project for Spectr Magazine. I have huge archives of landscapes that I’ve shot on various work and personal trips over the years, and this was an amazing opportunity to use them for a new project. Chantal and I selected locations I had shot in places as varied as Tokyo, Hawaii, London, Switzerland and Iceland. I photographed models in studio and we integrated them into 3D backgrounds Chantal created using these landscapes.
I collaborated with digital artist Chantal Caduff on this project for Spectr Magazine. I have huge archives of landscapes that I’ve shot on various work and personal trips over the years, and this was an amazing opportunity to use them for a new project. Chantal and I selected locations I had shot in places as varied as Tokyo, Hawaii, London, Switzerland and Iceland. I photographed models in studio and we integrated them into 3D backgrounds Chantal created using these landscapes.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
The editorial 'Code Red' was published with KALTBLUT Magazine. With this editorial, I want to show the strength of women. Their seductive ways of being, but also the fierceness when they focus on their goals. They are a force of nature, so you better be prepared.
...attached some images I have done for the magazine "How to be a man" with the german actor Tom Wlaschiha in September 2023. He works mostly for Hollywood productions like "Game of Thrones, Stranger Things, Jack Ryan" and many more. Further he is a brand ambassador for Alfa Romeo. I was completely free in choosing locations, look, concept and feel of the images Postproduction by Piquee Postproduction Hair & Make by Astrid Scheppan Styling by Tom
...attached some images I have done for the magazine "How to be a man" with the german actor Tom Wlaschiha in September 2023. He works mostly for Hollywood productions like "Game of Thrones, Stranger Things, Jack Ryan" and many more. Further he is a brand ambassador for Alfa Romeo. I was completely free in choosing locations, look, concept and feel of the images Postproduction by Piquee Postproduction Hair & Make by Astrid Scheppan Styling by Tom