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PATRICK SALONEN New Swiss-Serie
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Aerial Landscape CGI Colour Grading Final Artwork Post Production Retouch

With a twinkle in the eye 😉 these motifs were created as part of a freelance project with photographer Michel Jaussi. Landmarks from various countries were quickly placed in Swiss cities or landscapes. This project was realized (completely without AI images 😉 ) using a drone and a 100MP camera as well as the 3D software Maxon Cinema4D and the render engine from Chaos Corona, and of course some Adobe Photoshop.

PATRICK SALONEN New Swiss-Serie
show info
Aerial Landscape CGI Colour Grading Final Artwork Post Production Retouch

With a twinkle in the eye 😉 these motifs were created as part of a freelance project with photographer Michel Jaussi. Landmarks from various countries were quickly placed in Swiss cities or landscapes. This project was realized (completely without AI images 😉 ) using a drone and a 100MP camera as well as the 3D software Maxon Cinema4D and the render engine from Chaos Corona, and of course some Adobe Photoshop.

PATRICK SALONEN New Swiss-Serie
show info
Aerial Landscape CGI Colour Grading Final Artwork Post Production Retouch

With a twinkle in the eye 😉 these motifs were created as part of a freelance project with photographer Michel Jaussi. Landmarks from various countries were quickly placed in Swiss cities or landscapes. This project was realized (completely without AI images 😉 ) using a drone and a 100MP camera as well as the 3D software Maxon Cinema4D and the render engine from Chaos Corona, and of course some Adobe Photoshop.

PATRICK SALONEN New Swiss-Serie
show info
Aerial Landscape CGI Colour Grading Final Artwork Post Production Retouch

With a twinkle in the eye 😉 these motifs were created as part of a freelance project with photographer Michel Jaussi. Landmarks from various countries were quickly placed in Swiss cities or landscapes. This project was realized (completely without AI images 😉 ) using a drone and a 100MP camera as well as the 3D software Maxon Cinema4D and the render engine from Chaos Corona, and of course some Adobe Photoshop.

PATRICK SALONEN New Swiss-Serie
show info
Aerial Landscape CGI Colour Grading Final Artwork Post Production Retouch

With a twinkle in the eye 😉 these motifs were created as part of a freelance project with photographer Michel Jaussi. Landmarks from various countries were quickly placed in Swiss cities or landscapes. This project was realized (completely without AI images 😉 ) using a drone and a 100MP camera as well as the 3D software Maxon Cinema4D and the render engine from Chaos Corona, and of course some Adobe Photoshop.

PATRICK SALONEN New Swiss-Serie
show info
Aerial Landscape CGI Colour Grading Final Artwork Post Production Retouch

With a twinkle in the eye 😉 these motifs were created as part of a freelance project with photographer Michel Jaussi. Landmarks from various countries were quickly placed in Swiss cities or landscapes. This project was realized (completely without AI images 😉 ) using a drone and a 100MP camera as well as the 3D software Maxon Cinema4D and the render engine from Chaos Corona, and of course some Adobe Photoshop.

PATRICK SALONEN New Swiss-Serie
show info
Aerial Landscape CGI Colour Grading Final Artwork Post Production Retouch

With a twinkle in the eye 😉 these motifs were created as part of a freelance project with photographer Michel Jaussi. Landmarks from various countries were quickly placed in Swiss cities or landscapes. This project was realized (completely without AI images 😉 ) using a drone and a 100MP camera as well as the 3D software Maxon Cinema4D and the render engine from Chaos Corona, and of course some Adobe Photoshop.

PATRICK SALONEN New Swiss-Serie
show info
Aerial Landscape CGI Colour Grading Final Artwork Post Production Retouch

With a twinkle in the eye 😉 these motifs were created as part of a freelance project with photographer Michel Jaussi. Landmarks from various countries were quickly placed in Swiss cities or landscapes. This project was realized (completely without AI images 😉 ) using a drone and a 100MP camera as well as the 3D software Maxon Cinema4D and the render engine from Chaos Corona, and of course some Adobe Photoshop.